Rekindling the Vividness of the Past: Assia Djebar’s Films and Fiction. By ANNE To film La nouba, Djebar went back to the mountains of her . Sa guerre a lui apparait muette .. restitue ce qui est arrive a la fille dans U amour, la fan- tasia. Gafaiti, Hafid: La diasporisation de la litterature postcoloniale: Assia Djebar, ” La guerre interieure: la metaphore cognitive de la guerre dans L’ amour, la. Amour, La Fantasia (L’) (Romans, Nouvelles, Recits (Domaine Francais)) Assia Djebar, qui s’est imposée au tout premier rang (les écrivains de son pays, passé lointain, la conquête par les Français en , et du passé récent, la guerre.

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Djebar interweaves stories from across cultures, genders and time in order to create a history of Algeria that focuses on being inclusive and understanding that good and bad are in everyone. In short, this indicated to me that the translation was either pretty bad, or t A book that I can honestly say I hated, from the first page to the very last one.

It’s beautifully written – I haven’t come across an author who can write so poetically and brilliantly since I read Steinbeck years ago. It drains off all the scoriae of the past. Words again unite the Algerian women and men who fought France in the s. Yes, in spite of the tumult of my people all around, I already hear, even before it arises and pierces the harsh sky, I head the death cry in the Fantasia.

Just be prepared to think.

L’AMOUR, LA FANTASIA D’ASSIA DJEBAR : De l’autobiographie à la fiction

I don’t know if it is because it was originally written in French always a wonder when not reading in the original languageor because I only knew a smattering of Algerian history going in, thanks guerar Wikipedia. Djebar’s exceptional descriptive powers bring to life the experiences of girls and women caught up in the dual struggle for independence–both their own and Algeria’s. And maybe, if she had so chosen, Assia Djebar could have given us more help in being able to follow some of the narrative.

However, as I read the translation Fantasia: The more I think about this book the more I piece together the fragments and see a whole that is incredibly complicated and interwoven. It’s not something that I would have picked up had it not been a recommendation, but it was interesting and a novel that I will think about in the future.


Fantasia: An Algerian Cavalcade

But guerr it comes at a cost: View all 4 comments. The author gives us snippets from her childhood in Guerra, and the perception of women.

Not just difficult French vocabulary but also Arabic and Berber vocabulary which amlre familiar The book interspersed the history of the Algerian people in their fights against France, especially the invasion and the liberation war of the s and s, with personal vignettes of the author and other women who lived through these times.

But the French conquerers wrote of it, much more than the Algerian defenders. Words hold the keys to Algeria’s past, djenar world shattered by the French invasion and conquest of the midth century, when 25 years of war ruined the country. However, in all things there are positives: The second is an autobiographical version of the author’s life a century later, as she grows as a person and sheds the roles which are forced upon her from both colonizer and colonized.

The djebae begins and ends with the image Djebar had of herself as a small girl being led to a French school by her father, who had been privileged to receive an education and secure a position as a teacher at that school. She remembers once receiving djebr innocent letter from a boy, and her father tearing it up unread. But in the personal chapters that come in between, Djebar is as much concerned with male dominance as with colonialism.

An Algerian Cavalcade by Assia Djebar. That was a completely different story of Algeria, albeit one which also included quite a bit of history of 20th century Gurera. The accounts of this past invasion reveal a contrario an identical nature: And words themselves become a decoration, flaunted by officers like the carnations they wear in their buttonholes; words will become their most effective weapons.

The struggle, the never-ending resistance to the occupation of their land. I set off at dawn, with my little pa hand in mine. Their words thrown up by such a cataclysm are for me like a comet’s tail, flashing across the sky and leaving it forever riven. The immediacy given by the feeling that the story is being told about oneself gathers the reader up into the full storm of emotion in the Algerian plight.


I did not care for this book, however. Djebar and Djebra would say yes, as would the many postcolonial literary movement to that advocated a return to writing in the Native tongue.

The words and images struck me with force; each scene felt vivid and immediate. Feb 01, Aziza rated it it was ok Shelves: This made for a very frustrating read at times, but in the end the pieces all came together like a mosaic, all the more beautiful and intriguing for the confusion and diversity of its materials. And to those who have been silenced. Rejecting all lyricism, turning my back on high-flown language; every metaphor seems a wretched ruse, an approximation and a weakness.

Inshe travelled to Tunis, where she worked as a reporter alongside Frantz Fanon, travelling to Algerian refugee camps on the Tunisian border with the Red Cross and Crescent.

A tradition that beats individuality off with a stick, disciplines human being into the roles laid out for them.

In these early stages of my sentimental education, our secret correspondence is carried on in French: It was a struggle to find some shreds of direction towards a meaning of some sort.

While the man still has the right to four legitimate wives, we girls, big and little, have at our command four languages to express desire before all that is left for us amord sighs and moans: This narrative from multiple viewpoints in time and space struggles with an undifferentiated mass of understanding, survival of a life cycle where freedom of streets and speech end before puberty and all else folds in on the family and other women, but also those women who have been torn like splinters from it, whether through education or the freedom struggle.

She has won many prizes, and Fantasia: They are both joyful and devastating fractures.

If this line is broken too often, no fish can be caught. One just has to remember that some of the narrative is, in the end, overwhelmingly in her perspective. Jan 30, Helynne rated it really liked it. This is a book about giving a voice to those who are silent.