André Campra was a French composer and conductor. Campra was one of the leading French Le papillon, Le jaloux, Le lys et la rose. Sacred works. Nisi Dominus (); Requiem (after ); Motets for the royal chapel (–) . Find album reviews, stream songs, credits and award information for André Campra: Messe de Requiem – Philippe Herreweghe on AllMusic – André Campra, Jean-Claude Malgoire, Gilles Ragon, Dominique Visse, Peter Harvey, La Grande Écurie et La Chambre du Roy – Campra – Requiem ~ Miserere.
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Andre Campra: Messe De Requiem; In Convertendo
camprx Although Campra had obtained critical success he lacked financial security. This disc presents two of the later works of his long career, a Requiem written around or so and one of the grands motetsa setting of Psalm for soloists, chorus, and small orchestra in the Lullian tradition.
But it is the quiet intensity and the strongly contemplative character of Campra’s Requiem which, perhaps, strike the profoundest note. Reqyiem father was his first music teacher.
The lovely, lyrical soprano duet of the latter, indeed, is far removed from the sentiment of the overall text, instead creating a moment of crystal clear musical light in their brief gavotte.
André Campra – Wikipedia
The Benedictustoo, is excluded, though this is also true of some of Charpentier’s Masses. Bertil van Boer Read less.
Campra added violins to the performance of sacred music at the Paris cathedral, a controversial innovation in an era when they were considered street instruments.
The Monteverdi Choir always sound more fervent than that of La Chapelle Royale, but I feel that Gardiner also captures the pathos of Campra’s music to a greater extent than Herreweghe. Herreweghe does full musical justice to Campra’s score but Gardiner succeeds better in stirring our passions. Campra was a gifted theatre composer and knew well how to handle the components of an elaborate sacred work in a colourful and dramatic manner.
Varcoe’s contribution I thought outstanding in the Sanctus but throughout the solo team is a strong one. Views Read Edit View history. You can help by adding to it. We find evidence of that, for example, in the Gradualwhose reiterated ”non, non” etc. If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.
This new recording from Harmonia Mundi is the third to have been released commercially. Its date of composition is uncertain but, since the closing fugue is an elaboration of one which he had incorporated into his grand motet ofDer profundiswe might suppose it to have been composed sometime after that.
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I have campa found this work of great and, it would seem, enduring beauty. Gramophone products and those of specially selected partners from the world of music. This title is currently unavailable. The performance is attentive to points of style and has some particularly convincing solo singing, notably from two British artists, John Elwes and Stephen Varcoe.
Conductor Schneebeli knows how to provide the sonorous blend of chorus and string orchestra augmented by a pair of flutes in certain movements such as the Agnus Dei, as well as the serpent reinforcing the continuo, an old French tradition of the time so that the textures function well together.
He began to compose for the theatre in and published some theatrical compositions under his brother’s name to protect his reputation with church authorities. Retrieved from ” https: In other projects Wikimedia Commons.
This section needs expansion. In he gave up his post at Notre-Dame and devoted himself to theatrical music with critical success. The advent of the CD seems to have prompted a flurry requien interested in the music of Andre Campra This is music to absorb the soul, not lecture to it.
Others, however, place the work earlier in Campra’s life. Whether you want to see what we think of today’s latest releases or discover what our critics campta of your favourite recordings from the past, you will find it all in our full-searchable Reviews Database. Inhe adopted the composition of sacred music as his only profession. If one is looking for a powerful descriptive Mass for the Dead, this is not it.
During the eighteenth century there were various permutations of the content of the Requiem Mass and in Campra’s version there are certain omissions. By he had obtained all of the usual prestigious posts but retreated back into camora sacred music as the French critics targeted him more frequently. Featured Popular Ensembles Academy of St.
The new version is beautifully recorded and, as I say, eloquently performed. Be the first to review this title.