This article purports to cast new light on the sources of inspiration for Julio Cortázar’s pivotal story ‘El perseguidor’. In particular, it aims to. El perseguidor: Julio Cortázar: The main character of “El perseguidor” (“The Pursuer”), one of the stories in Las armas secretas, embodies many of the traits of . Brenes Reyes, p. 1 Improvisation and Writing: Julio Cortázar’s ‘El Perseguidor’ and the Pursuit for Freedom Jaime R. Brenes Reyes In the words of Argentine.

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While he regards Johnny as a Christ-like figure, Bruno regards himself as a sort of priest or proselytizer, spreading the gospel of Johnny Carter. Mirrors give faithful reflections. An artist of great talent must, at some point, make a choice.

However, Johnny is also referred to in terms that associate him with coetazar and the devil.

El perseguidor

Although Bruno has a tendency to dismiss Johnny’s discussions of time after he is finished talking with him, these speculations are central to “The Pursuer. Two months before the opening of “The Pursuer,” Johnny had a falling-out with Tica, which is why Bruno is the one to pay for a new saxophone when Johnny loses his on the metro.

Indeed, Bruno perweguidor to understand more about Johnny’s real self than anyone else, which is perhaps why Johnny considers him such a great friend. Bruno calls him a “teahead,” or a marijuana smoker, and he sometimes feels sorry for him because Johnny has let him down in Paris.

Johnny has not forgotten ee early hope, that Bruno’s talent for words will somehow help him to speak what for him is unspeakable. Because each style has its own formatting nuances that evolve over time and not all information is available for every reference entry or article, Encyclopedia. It cortazr a collective that gives equal opportunity for expression and communication among all members. In one part of the story, Bruno refers to the group of musicians and their friends who congregate around Johnny as “sick angles, irritating in their irresponsibility, but ultimately valuable to the community.


Bruno next sees Johnny while sitting at a cafe with Tica and Baby Lennox, another woman that adores Johnny. Paris and other major European cities were the origin of many of these ideas, but writers from all over the Hispanic world participated in them.

One of the first barriers the reader encounters, as well as one of the most important, is the divide between the fictional world of the story and the real world of the s Parisian bebop scene, particularly the real life of Charlie Parker.

By the time the story begins, she is already quite worn down by Johnny and the lifestyle they lead.

El perseguidor | work by Cortázar |

Johnny says he liked it but there are things missing. Remember me on this computer.

Also, Bruno is one of the people who is always taking care of Johnny and giving him what he needs. The Birth of Bebop: Instead of mainstream dance music played in ballrooms and large restaurants, bebop music became associated with smoky nightclubs and musicians that ignored their audiences.

The most important stylistic technique of “The Pursuer” is its unique use of past, present, and future verb tenses to narrate the story. But Johnny “makes up” with her during a recording session, and they remain close until the end of the story, when they both leave Paris for New York. She lives in Chicago with her daughter Bee, who dies of pneumonia. It is involved in the very process of writing. Bruno’s attitude of religious faith in his deification of Johnny is echoed in the first scene of the story, when Bruno comes to visit Johnny, who describes him as “faithful old buddy Bruno.


The most famous of the early bebop bands were those of Billy Eckstine and Dizzy Gillespieand their popularity was in no small part due to the fact that they had hired an alto saxophonist from Kansas named Charlie Parker. In addition to references to Johnny as perseguidir angel or devil, Bruno regards him as a kind of god. The cortazqr that Johnny loses his saxophone on the Metro, where he can fit fifteen minutes of life into a two minute journey, supports this claim and suggests that Johnny’s genius does not consist of the music itself, but what the music enables him to uncover about philosophy and art.

The Pursuer |

While Bruno describes Johnny’s music in religious terms, Johnny describes his own relationship to organized religion as contentious. And Johnny hopes that Bruno, with words at his command, may have some way to express what the mirror cannot.

Further, the onlookers seem to derive some comfort or satisfaction from Johnny’s display of suffering, and thus resent Bruno’s efforts to end this display, just as, the narrator suggests, people derive a kind of comfort from the religious martyrdom of Jesus Christ. Parker, later known as perseeguidor or “Yardbird” throughout persegjidor jazz world, grew up in an abusive family and prrseguidor severe drug habits by the time he dropped out of school at fifteen.

The character of Johnny Carter is modeled after jazz musician Charlie Parker.

Bruno is like Johnny’s lovers, friends, and fellow musicians who exploit Johnny for their own devices, since Bruno’s book and much of his career is founded on Johnny’s genius.

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