The 20 Brouwer Simple Studies (Etudes Simples, Fr.; Estudios Sencillos, Sp.), are good examples of guitar studies. From the first to the last. since many yeares I’m coming again and again back to Estudios Sencillos by Leo Brouwer. Recently I heard a recording by Ricardo Cobo – he. I’d recommend progressing to this after completing Brouwer’s Simple Studies. It consists of 10 homages to famous composers and are played in their typical.
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For example, they also deal with: And these are just a few aspects of technique that are estudjos with; these pieces also allow the player to work upon more musical aspects of their playing, such as rhythmic accuracy. Sign up using Facebook. See what people are saying about. Sign up or log in Sign up using Google.
The notion of “Easy” or “Simple” studies is one that goes back to the classical period, sinples composers fo the guitar and other instruments would publish pieces with this kind of descriptor in the title. How do you pronounce Brouwer? It took me a couple months of practice, recording myself, playing accompaniment alone and than trying to put it together with the bass, to reach my teacher’s recquirement.
You May Also Like. He asked me to do some sort of rhythm swing to detach it simplrs bass, in a way accompaniment becomes interesting and you don’t need just to play it in a quiet way.
TheMusicalEvents My homepage ismples Dodicin 94 1 6. But the harder ones for me are V and IX because of the rhythm.
I wonder if the composer or publisher in naming pieces this way might have had other motives By following these steps isolating the L. How simple are they?
Leo Brouwer | Etudes Simples (Estudios Sencillos) Volume 4
That’s only my very personal experience, and your own mileage may vary, of course. And this is just one point.
Also, isolated practise of bars across the change of time-signature helped me greatly, as here it is difficult to damp the semiquaver open E bass note at the end of bar 22, so that it doesn’t ring under the open A in bar Was this review helpful?
Thank you for posting a question! Yeah the Studies Seem Really Simple, But They Have some mussical traps on them, that make them quite a challenge, for example Study Five the first time you read it, you won’t see any difficulty, it has simple mussical patterns, but if you analize the progressions you may see that you actually have to listen to “salsa” and cuban music, to really understand what the Study is Really About.
It was also easy to me to make the bass “sing” and play the accompaniment softer. If thumb sound is still weak at this point, he may spend a lot of time just working on thumb sound, teaching ways to shape the nail, to attack the string and so on. Please click on the link in the confirmation email we just sent you to submit your question.
Share your review so everyone else can enjoy it too. There are two stages to learning and using a study such as this Brouwer: This then allowed me to focus upon the actual purpose of the piece: The Estudios Sencillos by Leo Brouwer: Thank you, you explained thoroughly, I really appreciate the effort you put into the answer! This is because pieces of this kind usually isolate a particular aspect of technique, allowing you to focus upon it.
Post as a guest Name. Forum guitare classique – Forum estudiks classica – Foro guitarra clasica – Free sheet music for classical guitar – Delcamp. A Verified Reviewer is a shopper who has confirmed an email address, or connected a social network with Yotpo, providing an added level of transparency and trust.
Low prices Worldwide shipping Knowledgeable staff Ldo guarantee Fully secure https. Just for the sake of comparison, I would say my current playing, after starting from zero 2 years and 8 months ago, is at the upper end of level 3 according to Mr Delcamp’s scheme, and at about level 3, too, according to ABRSM. Very often, the pieces in these collections would be very easy for a virtuoso or a professional player. VII made me learn how to count very, very carefully! Again, this “maximises” practice time and effort, by applying most effort to passages of the music which are difficult, rather than always playing from beginning-to-end.